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Why
Tape Baking... A lot of tape
manufactured in the mid-to-late 1970's is starting to come out of storage now
for re-mixing and re-issue, and engineers are finding that it won't play. The
surface of the tape has become gummy and it sticks to the heads and fixed guides
of the tape transport, squealing, jerking, and, in extreme cases, slowing down
or stopping the tape transport. This problem has cropped up on all brands of
tape, but is nearly always fixable, at least temporarily by baking the tape. For more info
on tape baking, click
here.
Tape
types that genarally need baking
- AMPEX-
406, 407, 456, 457, 499
- 3M-
153, 206, 207, 208, 209, 217, 219, 226, 227, 806, 807, 808, 809, Classic
DP, Classic LP, Classic SP, Master and Master SX

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experienced professionals working for you High
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|
Cassette Tape |
10.00 |
|
1/4 inch reel |
25.00 |
|
1/2 inch reel |
35.00 |
|
1 inch reel |
45.00 |
|
2 inch reel |
50.00 |
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your tapes transferred to CD or digitized
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Why
Tape Baking, more info...
Tapes can exhibit
two different problems as a result of long term storage; binder breakdown and
lubricant breakdown. Lubricant breakdown, which is fairly rare, leaves a white
residue when the tape is run over the heads. Binder breakdown, the more common
failure mode, leaves a dark, gummy residue, and is fixable by gentle heating
("baking") of the tape. Fixing lubricant breakdown requires careful cleaning of
the tape and possibly applying fresh lubricant. Baking will not solve the
lubricant breakdown problem and may make it worse.
Here's where the
stickiness comes from. The binder is the chemical compound that holds the oxide
particles together and sticks them to the tape backing. Under humid conditions
(which means anything but controlled low-humidity storage), the polyurethane
used in the binder has a tendency to absorb water. The water reacts with the
urethane molecules, causing them to migrate to the surface of the tape where
they gum up the tape path during playback.
Short strings of urethane
molecules are particularly prone to water absorption, while long strings make
the coating mixture too viscous to produce good tape. Middle-length strings are
the best, but the tape manufacturers didn't know this at the time, and didn't
always know what they were getting. In the case of Ampex tape, tapes most likely
at risk are 406 and 456 manufactured from approximately 1975 through 1984.
During those years, Ampex tested the goop they got from their binder suppliers
simply by measuring viscosity. Unfortunately, the long and short strings average
out, viscosity-wise, to a viscosity about the same as the ideal medium strings,
so some tape was inevitability manufactured with an overly great proportion of
short urethane strings in the binder. In the worst cases, as little as 3 days'
exposure to 70% relative humidity can cause a tape to become gummy, but
typically, it takes 2 to 15 years under normal, people-friendly ambient
conditions. In 1984, Ampex started doing it's incoming inspection with a high
pressure gas chromatograph (that's when it was invented), and was able to more
accurately determine the molecular makeup of it's binder, and control production
much more carefully. Better things for better living through chemistry.
The
good news is that the "sticky shed syndrome" resulting from water absorption by
the short urethane molecule chains is almost always fixable. The process for
repair is commonly know as "baking a tape". The fix lasts about a month under
normal storage conditions, and Ampex claims that a tape can be re-baked any
number of times without ill effects.
Polyester Tape +
Baking Polyester or mylar based tape is opaque when held to the light and
viewed from the side. Polyester tape will deform permanently before it breaks,
so be careful not to stretch it. Acetate backed tape is transparent when viewed
this way. Generally, polyester tape has a superior tape base, and
oxide/binder formulations have steadily improved over the years to prevent oxide
from flaking off. With one big exception.
Serious problems occurred on tapes
manufactured (mostly those made in the US) from roughly 1975 to 1985. The
problem is known as "sticky shed syndrome" and arose when tape manufacturers
were suddenly forced by the U.S. government to abandon the use of a carcinogen
in analog tape. Tape manufacturers hurriedly changed formulations during that
period, and thus we face the problem today.
Tapes with "sticky shed syndrome"
leave a waxy residue on rollers, heads and guides, which destroys high frequency
response and can eventually cause a tape player to stop entirely.
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